01942cam a2200373 i 45000010009000000050017000090080041000260350013000670100017000800200018000970200015001150400023001300410013001530420008001660500026001741000026002002400023002262450057002492600030003063000052003363360028003883360021004163370025004373380023004625000022004855040041005075200758005485460024013066000040013306550088013707000019014587000054014777100037015311625916120260603124007.0100521s2009    gw a     bc   000 0 ger    a16259161  a  2010450855  a9783940953339  a3940953334  aDLCbengcDLCerda0 ageraeng  apcc00aN6888.S68998bA4 20081 aStrunz, Katja,d1970-10aWorks.kSelections10aEinbruchstellen /cKatja Strunz ; Text Barbara Kuon.  aKöln :bSnoeck,c[2009]  a96 pages :billustrations (some color) ;c25 cm  astill image2rdacontent  atext2rdacontent  aunmediated2rdamedia  avolume2rdacarrier  aTitle from cover.  aIncludes bibliographical references.8 aThis book summarises an exhibition staged by Katja Strunz in 2008 in her Galerie CFA in Berlin. It underlines - perhaps better than any other publication - the unity of the work, in which the starting point for the artist also often comprises found material. In this way, the past's present, the very history in the materials themselves, not only remains visible - as in the case of an 'objet trouvé' - but the realisation is that everything is in a state of permanent transition is also conveyed, that a constantly self-enriching point of attraction for new meanings can emerge in the very deformation of still visible structures and properties. In this way, one might say that her work is doubly charged.-- Source other than the Library of Congress.  aGerman and English.10aStrunz, Katja,d1970-vExhibitions. 7aExhibition catalogs.2lcgft0https://id.loc.gov/authorities/genreForms/gf20140260981 aKuon, Barbara.12aStrunz, Katja,d1970-tEinbruchstellen.lEnglish.2 aContemporary Fine Arts (Gallery)