000			03585cam a22005177i 4500
001			18753885
003			OSt
005			20251113094353.0
008			150821s2015 enka bc 001 0 eng d
010			_a 2015460644
015			_aGBB504338 _2bnb
016	7		_a017009206 _2Uk
020			_a0714868779
020			_a9780714868776
035			_a18753885
035			_a(OCoLC)890068384
040			_beng _cFoundation University _erda
042			_alccopycat
043			_ae------ _an-us---
050	0	0	_aND 195 _b.F24 2015
100	1		_aFalconer, Morgan, _eauthor. _912590
245	1	0	_aPainting beyond Pollock / _cMorgan Falconer.
264		1	_aLondon ; _aNew York : _bPhaidon, _c2015. _42015.
300			_a374 pages : _billustrations (chiefly color) ; _c30 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Things must be pulverized: abstract expressionism -- Wounded painting: informel in Europe and beyond -- Witnesses: post-war figurative painting -- Against gesture: geometric abstraction -- Post-painting part I: after Pollock -- Anti-tradition: pop painting -- A transcendental high art: neo-expressionism and its discontents -- Post-painting part II: after pop -- New figures: pop romantics.
520			_aPainting, with its endless capacity for reinvention, continues to occupy a privileged position in Western art. Since the mid-20th century, new practices have pushed art into territories such as performance and installation, leading some critics and artists to declare painting irrelevant or even finished. But these developments have, in fact, driven painting to new heights of innovation and interest, making these seventy years arguably the most lively in its history. Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready-mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, 'post-medium' generation of artists. Painting Beyond Pollock is an illuminating guide for both specialists and enthusiasts of painting, written in language that is intelligent and accessible.-- _cSource other than Library of Congress.
648		7	_a1900 - 1999 _2fast _99118
650		0	_aPainting, Modern _y20th century _xHistory. _912591
650		0	_aAbstract expressionism. _912592
650		0	_aArt, European _y20th century. _912593
650		0	_aArt, American _y20th century. _912594
650		7	_aAbstract expressionism. _2fast _0(OCoLC)fst00794746 _912592
650		7	_aArt, American. _2fast _0(OCoLC)fst00815895 _912595
650		7	_aArt, European. _2fast _0(OCoLC)fst00816244 _912596
650		7	_aPainting, Modern. _2fast _0(OCoLC)fst01050988 _912597
650		7	_aAbstrakter Expressionismus. _2gnd _0(DE-588)4141157-2 _912598
650		7	_aInformel. _2gnd _0(DE-588)4161683-2 _912599
650		7	_aPop-art. _2gnd _0(DE-588)4076259-2 _912600
655		7	_aHistory. _2fast _0(OCoLC)fst01411628 _97569
942			_2lcc _cBK _hND 195 _i.F24 2015 _k(DAFA-FA)
999			_c5126 _d5126