000			01964cam a22003497i 4500
001			20076018
003			OSt
005			20251113162921.0
008			171018s2016 si a 000 0 eng
010			_a 2017357540
020			_a9789811130472
040			_beng _cFoundation University _erda
050	0	0	_aQL 458.4 _b.2016 S27
100	1		_aSaraceno, Tomás, _d1973- _eartist. _912621
245	1	0	_aArachnid orchestra : _b jam sessions / _cTomás Saraceno.
264		1	_aSingapore : _bNTU Centre for Contemporary Art Singapore, _c2017. _42017.
300			_a121 pages : _billustrations ; _c21 cm.
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes image credits
520			_aIn a study that explores the archeology of non-human media, Jussi Parikka encourages readers of entomology publications to approach them as "media books." Such a reading will disclose "a whole new world of sensations, perceptions, movements, stratagems, and patterns of organization that work much beyond the confines of the human world." In current times, spiders are not considered part of what historically the broader term "insect" and the discipline of entomology encompassed-the largest order in the class of arachnids, spiders are the subject of arachnology. Yet Parrika's description is highly relevant as it captures the lived experience of Tomás Saraceno's Arachnid Orchestra. Jam Sessions at NTU Centre for Contemporary Art Singapore (23 October - 20 December 2015).
546			_aIn English.
650		0	_aSpiders _xBehavior. _912622
650		0	_aArachnida _xBehavior. _912623
650		0	_aSpiders in art. _912624
650		0	_aSound production by insects. _912625
650		0	_aSpider webs in art. _912626
653	0		_aanimals in art; _aarachnida; _aexhibitions
942			_2lcc _cBK _hQL 458.4 _i.2016 S27 _k(DAFA-FA)
999			_c5133 _d5133