000			03644cam a22003977i 4500
001			21193100
003			OSt
005			20251119124534.0
008			190905s2016 txua bc 000 0deng d
010			_a 2018277458
020			_a9780991233823
035			_a21193100
035			_a(OCoLC)950471434
040			_beng _cFoundation University _erda
042			_alccopycat
050	0	0	_aN 6537 .J36 _b.2016 A44
100	1		_aJanssens, Ann Veronica, _d1956- _912857
245	1	0	_aAnn Veronica Janssens.
264		1	_aDallas, Texas : _bNasher Sculpture Center, _c2016. _42016.
300			_a109 pages : _billustrations (chiefly color) ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aCover title.
500			_aCatalog of an exhibition held at the Nasher Sculpture Center, Dallas, Texas, January 23-April 17, 2016.
504			_aIncludes bibliographical references (pages 107-108).
505	0		_aForeword / Jeremy Strick -- Ann Veronica Janssens / Catherine Craft -- Exhibition images -- List of works exhibited -- Biography -- Selected bibliography.
520			_a"Over the past three decades, Belgian artist Ann Veronica Janssens (born 1956) has become best known as a light artist, working with spotlights, projections, fog, and other materials to create experiences that heighten viewers? perceptions of themselves and their surroundings. Her exhibition for the Nasher offered a series of sculptural proposals that moved the viewer from the entrance of the building to the garden... Projected washes and haloes of light greeted visitors at the Nasher?s entrance, and two types of sculptural objects occupied the Entrance Gallery. A long, steel I-beam lied directly on the floor, its top side ground smooth and polished to a mirror shine, offering dizzying reflections of the architectural surroundings. Sharing the entrance bay with the I-beam was a group of five glass cubes, Janssens?s distinctive Aquariums, filled with a blend of liquids, including water and paraffin oil; the interactions between the liquids and the different ways they absorbed and reflected light allowed for striking and confounding visual effects. In the garden, visitors encountered a freestanding pavilion coated with, and named for, the three primary colors, Blue, Red and Yellow. Visitors who entered the pavilion found it filled with artificial fog, a substance that interests Janssens as a way of giving sculptural form to light: "Gazing at mist is an experience with contrasting effects. It appears to abolish all obstacles, materiality, the resistances specific to a given context, and at the same time, it seems to impart a materiality and tactility to light." As visitors moved through the pavilion, they experienced the profound disorientation prompted by losing all points of navigational reference; as light passed through the walls and ceilings, the fog became radiantly suffused with their colors, changing with the movement of the viewer and shifting with the light of the sky. Organized by the Nasher Sculpture Center, Ann Veronica Janssens was the artist's first solo museum presentation in the United States."
600	1	0	_aJanssens, Ann Veronica, _d1956- _vExhibitions. _912858
600	1	7	_aJanssens, Ann Veronica, _d1956- _2fast _0(OCoLC)fst00410049 _912857
655		7	_aExhibition catalogs. _2fast _0(OCoLC)fst01424028 _912632
655		7	_aExhibition catalogs. _2lcgft _912632
700	1		_aCraft, Catherine. _912859
710	2		_aNasher Sculpture Center. _912860
942			_2lcc _cBK _hN 6537 .J36 _i.2016 A44 _k(DAFA-FA)
999			_c5178 _d5178