| 000 | 03198cam a22005177i 4500 | ||
|---|---|---|---|
| 001 | 19428043 | ||
| 003 | OSt | ||
| 005 | 20260309145420.0 | ||
| 008 | 170104t20162016enka bc 000 0deng d | ||
| 010 | _a 2016461108 | ||
| 020 |
_a9780714870915 _q(paperback) |
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| 020 |
_a0714870919 _q(paperback) |
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| 020 |
_a9780714870922 _q(hardback) |
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| 020 |
_a0714870927 _q(hardback) |
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| 035 | _a19428043 | ||
| 035 | _a(OCoLC)954017920 | ||
| 040 |
_aERASA _beng _erda _cFoundation University _dBDX _dYDXCP _dBTCTA _dYDX _dOCLCO _dOCLCQ _dGSU _dOCLCF _dUAB _dVT2 _dOCL _dDLC _dFULib |
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| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aN 6768.6 _b.2016 C66 |
| 082 | 0 | 4 |
_a709.2 _223 |
| 100 | 1 |
_aCooke, Nigel, _d1973- _eartist. _915251 |
|
| 240 | 1 | 0 |
_aWorks. _kSelections |
| 245 | 1 | 0 |
_aNigel Cooke / _cDarian Leader, Tony Godfrey, Marie Darrieussecq. |
| 264 | 1 |
_aLondon : _bPhaidon Press Ltd., _c2016. _42016. |
|
| 264 | 4 |
_c©2016 _4©2016 |
|
| 300 |
_a158 pages : _bcolor illustrations ; _c31 cm. _3resource _fvolume |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 336 |
_astill image _bsti _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier _3resource |
||
| 490 | 1 | _aContemporary Artists Series | |
| 504 | _aIncludes bibliographical references (page 157). | ||
| 505 | 0 | _aInterview / Darien Leader in conversation with Nigel Cooke -- Survey. Painting in the age of theory, pixar, and talking books / Tony Godfrey -- Focus. Studio infinity / Marie Darrieussecq -- Artist's choice. Moon Palace, 1989 / Paul Auster ; Painting as an art, 1987 / Richard Wollheim -- Artist's writings. The language of insects, 2004 ; Bacon's sacred studio, 2010 / [Nigel Cooke] | |
| 520 | 8 |
_aAn in-depth look at the work and career of this fascinating artist, who is having a profound impact on contemporary painting. Nigel Cooke is known for his complex paintings, which thematically explore the meeting point between creative labour, consciousness, art history, consumer culture, and nature. Primarily centred on meticulously painted, large-scale urban landscapes, which he calls 'hybrid theatrical spaces', Cooke's work employs disparate styles, often integrating trompe l'oeil miniature rocks and trees with backdrops of graffiti-marked buildings, to create scenes conveying obscure and macabre narratives. This survey of Cooke's career to date explores the artist's style, approach, and impact on contemporary art and includes his very latest works, completed shortly before publication-- _cSource other than Library of Congress. |
|
| 600 | 1 | 0 |
_aCooke, Nigel, _d1973- _xCriticism and interpretation. _915252 |
| 600 | 1 | 0 |
_aCooke, Nigel, _d1973- _vCatalogs. _915253 |
| 600 | 1 | 7 |
_aCooke, Nigel, _d1973- _2fast _0(OCoLC)fst01668142 _915251 |
| 655 | 7 |
_aCatalogs. _2fast _0(OCoLC)fst01423692 _912662 |
|
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 _913646 |
|
| 655 | 7 |
_aCatalogs. _2lcgft _0https://id.loc.gov/authorities/genreForms/gf2014026057 _912662 |
|
| 700 | 1 |
_aLeader, Darian. _915254 |
|
| 700 | 1 |
_aDarrieussecq, Marie. _915029 |
|
| 700 | 1 |
_aGodfrey, Tony. _914950 |
|
| 830 | 0 |
_aContemporary artists. _912709 |
|
| 942 |
_2lcc _cBK _hN 6768.6 _i.2016 C66 _k(DAFA-FA) |
||
| 999 |
_c5664 _d5664 |
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