000			04304cam a22006137i 4500
001			18686872
003			OSt
005			20260428170128.0
008			150706t20112011caua b 001 0deng d
010			_a 2015304146
015			_aGBB0E3334 _2bnb
016	7		_a015707115 _2Uk
020			_a9783836527309 _qset
020			_a3836527308 _qset
035			_a18686872
035			_a(OCoLC)692290112
040			_aBTCTA _beng _erda _cFoundation University _dFoundation University
041	1		_aeng _hger
042			_alccopycat
050	0	0	_aN 6490 _b.2011 M63 v.1
130	0		_aModerne Kunst. _lEnglish. _915577
245	1	0	_aModern art / _cwith essays by Dietmar Elger, Anne Ganteführer-Trier, Karin H. Grimme, Barbara Hess, Hans Werner Holzwarth, Klaus Honnef, Cathrin Klingsöhr-Leroy, Sylvia Martin, Daniel Marzona, Kerstin Stremmel, Norbert Wolf.
264		1	_aKöln : _bTaschen, _c[2011]
264		4	_c©2011 _42011
300			_a2 volumes (673 pages) : _billustrations (some color) ; _c32 cm _3books _fbooks
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier _3n
500			_aEdited by Laszlo Taschen"--Spine of box.
500			_a"Impressionism to surrealism"--Jacket, volume 1.
500			_a"Abstract expressionism to today"--Jacket, volume 2.
504			_aIncludes bibliographical references and index.
505	0		_avolume 1. 1870-1944 -- volume 2. 1945-2000.
520			_aThis title focuses on game changers. This is the blow-by-blow account of the works that matter most in Modern art. The story of modern art begins roughly 150 years ago, when painters left their studios to try and catch nature and the quickly changing light out in plain air, only to find that they did not paint more realistically, instead they were pushed toward the fractured colors and fleeting compositions we've come to associate with the term impressionism. Once standard academy practice had been overcome, there was no holding back, and in a constant desire to pursue new roads, one style supplanted the next, always bringing different innovations: after impressionism, there followed symbolism, expressionism, futurism, surrealism, dada, abstract art, minimal, and pop. Even in post-modernism and the contemporary works of Koons, Kelley, or Wool, this modernist urge to make something new is still very much alive. This publication concentrates on individual works, each piece breaking some amount of new ground, and with 300 featured pieces by as many artists, this means an average of two game changers for every year. Each work is accompanied by a text that places it within the larger narrative, introducing the artist and outlining the agenda. Introductions to all the important art movements give the reader a more thorough grounding in the historical developments, but most of all, it is the year-by-year succession of groundbreaking works, both classics and surprising rediscoveries, that tells the story of an art that always thrived on innovation-- _cSource other than Library of Congress.
648		7	_a1800 - 1999 _2fast _915578
650		0	_aArt, Modern _y19th century _xHistory. _915579
650		0	_aArt, Modern _y20th century _xHistory. _915580
650		0	_aArt movements _y19th century _xHistory. _915581
650		0	_aArt movements _y20th century _xHistory. _915582
650		0	_aPainting, Modern _y19th century. _915583
650		0	_aPainting, Modern _y20th century. _914951
650		7	_aArt, Modern. _2fast _0(OCoLC)fst00816615 _913050
650		7	_aArt movements. _2fast _0(OCoLC)fst00815613 _915584
650		7	_aPainting, Modern. _2fast _0(OCoLC)fst01050988 _912597
655		7	_aHistory. _2fast _0(OCoLC)fst01411628 _97569
700	1		_aElger, Dietmar, _ewriter of supplementary textual content. _915585
700	1		_aGanteführer-Trier, Anne, _ewriter of supplementary textual content. _915586
700	1		_aGrimme, Karin H., _ewriter of supplementary textual content. _915587
700	1		_aHolzwarth, Hans Werner, _ewriter of supplementary textual content. _915588
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK _hN 6490 _i.2011 M63 v.1 _k(DAFA-FA)
999			_c5772 _d5772