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001 16259161
005 20260603124007.0
008 100521s2009 gw a bc 000 0 ger
035 _a16259161
906 _a7
_bcbc
_corigres
_d3
_encip
_f20
_gy-gencatlg
925 0 _aacquire
_b1 shelf copy
_xpolicy default
010 _a 2010450855
020 _a9783940953339
020 _a3940953334
040 _aDLC
_beng
_cDLC
_erda
041 0 _ager
_aeng
042 _apcc
050 0 0 _aN6888.S68998
_bA4 2008
100 1 _aStrunz, Katja,
_d1970-
_916979
240 1 0 _aWorks.
_kSelections
245 1 0 _aEinbruchstellen /
_cKatja Strunz ; Text Barbara Kuon.
260 _aKöln :
_bSnoeck,
_c[2009]
300 _a96 pages :
_billustrations (some color) ;
_c25 cm
336 _astill image
_2rdacontent
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _aTitle from cover.
504 _aIncludes bibliographical references.
520 8 _aThis book summarises an exhibition staged by Katja Strunz in 2008 in her Galerie CFA in Berlin. It underlines - perhaps better than any other publication - the unity of the work, in which the starting point for the artist also often comprises found material. In this way, the past's present, the very history in the materials themselves, not only remains visible - as in the case of an 'objet trouvé' - but the realisation is that everything is in a state of permanent transition is also conveyed, that a constantly self-enriching point of attraction for new meanings can emerge in the very deformation of still visible structures and properties. In this way, one might say that her work is doubly charged.-- Source other than the Library of Congress.
546 _aGerman and English.
600 1 0 _aStrunz, Katja,
_d1970-
_vExhibitions.
_916980
655 7 _aExhibition catalogs.
_2lcgft
_0https://id.loc.gov/authorities/genreForms/gf2014026098
_912632
700 1 _aKuon, Barbara.
_916981
700 1 2 _aStrunz, Katja,
_d1970-
_tEinbruchstellen.
_lEnglish.
_916982
710 2 _aContemporary Fine Arts (Gallery)
_916983
923 _d20100521
_n0208071
_sGyWOH
985 _eVENDOR LOAD
999 f f _ic24ee63d-2c6e-5d83-9fe3-f702d86ee163
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