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Breathing patterns / Marina Cruz

By: Contributor(s): Material type: TextTextLanguage: English Original language: German Publisher: Berlin : Distanz, 2017 Description: 93 pages : illustrations (color) ; 29 cmContent type:
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9783954761944
  • 3954761947
Other title:
  • Breathing patterns
Subject(s): Genre/Form: LOC classification:
  • ND 1029 .2017 C78
Summary: The paintings of the Philippine artist Marina Cruz (b. Quezon City, Philippines, 1982; lives and works in Bulacan) blend abstract harmonies of color with trompe-l'Œil depictions. Her motifs are dresses her late grandmother sewed for her mother and aunt. They bear the imprints of the grandmother's manual craftsmanship as well as the wearers' bodies and experiences. Not unlike an archaeologist, Cruz reveals these traces in the folds and deep grooves, the vibrant chromatic textures and fragile lineaments of the fabrics. In some pictures the haunting beauty of the surfaces has suffered the ravages of time, while in others stains and tears seem to hint at incidents of violence and bodily injury. At a time when clothes are increasingly short-lived mass products, Cruz's works read as an ode to the tailor's trade and to garments as a record of history.
List(s) this item appears in: Fine Arts, Bachelor of
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Holdings
Cover image Item type Current library Call number Status Barcode
Books Books Foundation University Library DoArchitecture & Fine Arts (DAFA-FA-Fi) ND 1029 .2017 C78 (Browse shelf(Opens below)) Available 0192025003025

Includes bibliographical references

The paintings of the Philippine artist Marina Cruz (b. Quezon City, Philippines, 1982; lives and works in Bulacan) blend abstract harmonies of color with trompe-l'Œil depictions. Her motifs are dresses her late grandmother sewed for her mother and aunt. They bear the imprints of the grandmother's manual craftsmanship as well as the wearers' bodies and experiences. Not unlike an archaeologist, Cruz reveals these traces in the folds and deep grooves, the vibrant chromatic textures and fragile lineaments of the fabrics. In some pictures the haunting beauty of the surfaces has suffered the ravages of time, while in others stains and tears seem to hint at incidents of violence and bodily injury. At a time when clothes are increasingly short-lived mass products, Cruz's works read as an ode to the tailor's trade and to garments as a record of history.

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