MARC details
| 000 -LEADER |
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| fixed length control field |
11489cam a2200481 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
15699712 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20260323104919.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
090414s2010 njua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2009015436 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBA958902 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
015291201 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0205673678 |
| Qualifying information |
hardback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780205673674 |
| Qualifying information |
hardback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0136062067 |
| Qualifying information |
pbk. |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780136062066 |
| Qualifying information |
pbk. |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
15699712 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)318645798 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
Foundation University |
| Modifying agency |
YDX |
| -- |
UKM |
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BTCTA |
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YDXCP |
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CDX |
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YBM |
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CRH |
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JQF |
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NPL |
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DLC |
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FULib |
| Language of cataloging |
eng |
| Description conventions |
rda |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N 6490 |
| Item number |
.2010 A71 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.04 |
| Edition number |
22 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
709.03 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Arnason, H. Harvard. |
| 9 (RLIN) |
15413 |
| 245 10 - TITLE STATEMENT |
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| Title |
History of modern art : |
| Remainder of title |
painting, sculpture, architecture, photography / |
| Statement of responsibility, etc. |
H.H. Arnason, Elizabeth C. Mansfield. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Sixth edition |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Upper Saddle River, NJ : |
| Name of publisher, distributor, etc. |
Pearson Prentice Hall, |
| Date of publication, distribution, etc. |
c2010. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Copyright Date |
c2010. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xviii, 830 pages : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
30 cm. |
| Materials specified |
resource |
| Type of unit |
volume |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| Materials specified |
resource |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Foreword : a short history of History of modern art -- The art of looking -- Experience and interpretation -- A book that moves with the times -- Preface -- Acknowledgments -- What's new : chapter-by-chapter revisions -- 1. The origins of modern art -- Making art and artists : the role of the critic -- What does it mean to be an artist? : from academic emulation toward romantic originality -- Making sense of a turbulent world : the legacy of neoclassicism and Romanticism -- 2. The search for truth : early photography, realism, and impressionism -- New ways of seeing : photography and its influence -- Only the truth : realism -- Seizing the moment : impressionism and the avant-garde -- Nineteenth-century art in the United States -- 3. Post-impressionism -- The poetic science of color : Seurat and the neo-impressionists -- Form and nature : Paul Cézanne -- The triumph of imagination : symbolism -- An art reborn : Rodin and sculpture at the fin-de-siècle -- Primitivism and the avant-garde : Gauguin and Van Gogh -- A new generation of prophets : the Nabis -- Montmartre : at home with the avant-garde -- 4. The origins of modern architecture and design -- Safeguarding culture : revivalist tendencies in nineteenth-century architecture -- "A return to simplicity" : the arts and crafts movement and experimental architecture -- Experiments in synthesis : modernism beside the hearth -- Palaces of iron and glass : the influence of industry -- "Form follows function" : the Chicago School and the origins of the skyscraper -- 5. Art Nouveau and the beginnings of Expressionism -- With beauty at the reins of industry : aestheticism and Art Nouveau -- Toward Expressionism : late nineteenth-century avant-garde painting beyond France -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
6. The new century : experiments in color and form -- Fauvism -- "Purity of means" in practice : Henri Matisse's early career -- "Wild beasts" tamed : Derain, Vlaminck, and Dufy -- Religious art for a modern age : Georges Rouault -- The Belle Époque on film : the Lumière brothers and Lartigue -- Modernism on a grand scale : Matisse's art after Fauvism -- Forms of the essential : Constantin Brancusi -- 7. Expressionism in Germany -- From Romanticism to Expressionism : Corinth and Modersohn-Becker -- Spanning the divide between Romanticism and Expressionism : Die Brücke -- The spiritual dimension : Der Blaue Reiter -- Expressionist sculpture -- Self-examination : Expressionism in Austria -- 8. Cubism -- Immersed in tradition : Picasso's early career -- Beyond Fauvism : Braque's early career -- "Two mountain climbers roped together" : Braque, Picasso, and the development of Cubism -- An adaptable idiom : developments in cubist painting in Paris -- Other agendas : Orphism and other experimental art in Paris, 1910-14 -- 9. Early-twentieth century architecture -- Modernism in harmony and nature : Frank Lloyd Wright -- Temples for the modern city : American classicism 1900-15 -- New simplicity versus Art Nouveau : Vienna before World War I -- Tradition and innovation : the German contribution to modern architecture -- Toward the International style : the Netherlands and Belgium -- 10. European responses to Cubism -- Fantasy through abstraction : Chagall and the metaphysical school -- "Running on shrapnel" : futurism in Italy -- "Our vortex is not afraid" : Wyndham Lewis and Vorticism -- A world ready for change : the avant-garde in Russia -- Utopian visions : Russian constructivism -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
11. Picturing the wasteland : Western Europe during World War I -- The world turned upside down : the birth of Dada -- "Her plumbing and her bridges" : Dada come to America -- "Art is dead" : Dada in Germany -- Idealism and disgust : the "new objectivity" in Germany -- 12. Art in France after World War I -- Eloquent figuration : Les Maudits -- Dedication to color : Matisse's later career -- Celebrating the good life : Dufy's later career -- Eclectic mastery : Picasso's career after the war -- Sensuous analysis : Braque's later career -- Austerity and elegance : Léger, Le Corbusier, and Ozenfant -- 13. Clarity, certainty, and order : de Stijl and the pursuit of geometric abstraction -- The de Stijl idea -- Mondrian : seeking the spiritual through the rational -- Van Doesburg, de Stijl, and Elementarism -- De Stijl realized : sculpture and architecture -- 14. Bauhaus and the teaching of modernism -- Audacious lightness : the architecture of Gropius -- The building as entity : the Bauhaus -- The Vorkurs : basis of the Bauhaus curriculum -- Die Werkmeistern : craft masters at the Bauhaus -- From Bauhaus Dessau to Bauhaus U.S.A. -- 15. Surrealism and its discontents -- Breton and the background to Surrealism -- "Art is a fruit" : Arp's later career -- Hybrid menageries : Ernst's Surrealist techniques -- "Night, music, and stars" : Miró and organic-abstract Surrealism -- Methodical anarchy : André Masson -- Enigmatic landscapes : Tanguy and Dalí -- Surrealism beyond France and Spain : Magritte, Delvaux, Bellmer, Matta, and Lam -- Women and Surrealism : Oppenheim, Cahun, Tanning, and Carrington -- Never quite "one of ours" : Picasso and Surrealism -- Pioneer of a new Iron Age : Julio González -- Surrealism's sculptural language : Giacometti's early career -- Surrealist sculpture in Britain : Moore -- Bizarre juxtapositions : photography and surrealism -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
16. American art before World War II -- America undisguised : the eight and social criticism -- 291 Gallery and the Stieglitz circle -- Coming to America : the Armory Show -- Sharpening the focus on color and form : Synchromism and Precisionism -- The Harlem Renaissance -- Painting the American scene : regionalists and social realists -- Social protest and personal pain : Mexican artists -- The avant-garde advances : toward American abstract art -- Sculpture in America between the wars -- 17. Abstract Expressionism and the new American sculpture -- Mondrian in New York : the tempo of the metropolis -- Entering a new arena : modes of abstract Expressionism -- The picture as event : experiments in gestural painting -- Complex simplicities : color field painting -- Drawing in steel : constructed sculpture -- Textures of the surreal : biomorphic sculpture and assemblage -- Expressive vision : developments in American photography -- 18. Postwar European art -- Revaluations and violations : figurative art in France -- A different art : Abstraction in France -- "Pure creation" : concrete art -- Postwar juxtapositions : figuration and abstraction in Italy and Spain -- "Forget it and start again " : the CoBrA artists and Hundertwasser -- Figures in the landscape : British painting and sculpture -- Marvels of daily life : European photographers -- 19. Nouveau Réalisme and pop art -- "Extroversion is the rule" : Europe's new realism -- "This is tomorrow" : pop art in Britain -- Signs of the times : pop art in the United States -- Getting closer to life : happenings and environments -- "Just look at the surface" : the imagery of everyday life -- Rosenquist, Wesselmann, and Indiana -- Poetics of the "new Gomorrah" : West Coast artists -- Personal documentaries : the snapshot aesthetic in American photography -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
20. Playing by the rules : sixties abstraction -- Drawing the veil : post painterly abstraction -- At an oblique angle : Diebenkorn and Twombly -- Forming the unit : hard-edge painting -- Seeing things : op art -- New media mobilized : motion and light -- The limits of modernism : minimalism -- Complex unities : pohtography and minimalism -- 21. Modernism in architecture at mid-century -- "The quiet unbroken wave" : the later work of Wright and Le Corbusier -- Purity and proportion : the international style in America -- Internationalism contextualized : developments in Europe, Latin America, Asia, and Australia -- Breaking the mold : experimental housing -- Arenas for innovation : major public projects -- 22. Conceptualism and activist art -- Art as language -- Conceptual art as cultural critique -- Extended arenas : performance art and video -- The medium is the message : early video art -- When art becomes artist : body art -- Radical alternatives : feminist art -- Erasing the boundaries between art and life : later feminist art -- Invisible to visible : art and racial politics -- 23. Post-minimalism -- Big outdoors : earthworks and land art -- Visible statements : monuments and public sculpture -- Metaphors for life : process art -- Body of evidence : figurative art -- Animated surfaces : pattern and decoration -- Figure and ambiguity : new image art -- |
| 505 2# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
24. Postmodernism -- Postmodernism in architecture -- "Complexity and contradiction" : the reaction against Modernism sets in -- In praise of "messy vitality" : postmodernist eclecticism -- Ironic grandeur : postmodern architecture and history -- What is a building? : deconstruction -- Structure as metaphor : architectural abstractions -- Flexible spaces : architecture and urbanism -- Postmodern practices : breaking art history -- 25. Painting through history -- Primal passions : neo-Expressionism -- Regarding representation : painting and photography in the 1980s -- Searing statements : painting as social conscience -- In the empire of signs : Neo-Geo -- The sum of many parts : abstraction in the 1980s -- Wall of fame : graffiti and cartoon artists -- Painting art history -- 26. Contemporary art and the renegotiation of modernism -- Commodity art -- Postmodern arenas : installation art -- Strangely familiar : British and American sculpture -- Reprise and reinterpretation : art history as art -- Meeting points : exploring a postmodern abstraction -- 27. Contemporary art and globalization -- Lines that define us : locating and crossing borders -- Growing into identity -- Skin deep : identity and the body -- The art of biography -- Globalization and arts institutions -- Bibliography -- Glossary -- Index -- Credits. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
11160 |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
|---|
| Main curriculum objective |
Fine Arts, Bachelor of : |
| Subordinate curriculum objective |
Art Theory ; |
| Curriculum code |
FA335, FA336 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mansfield, Elizabeth, |
| Dates associated with a name |
1965- |
| 9 (RLIN) |
15414 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |
| Edition |
Sixth edition |
| Classification part |
N 6490 |
| Item part |
.2010 A71 |
| Call number prefix |
(DAFA-FA) |
