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Latifa Echakhch / Ben Borthwick, Florence Derieux and Alessandro Rebottini.

By: Contributor(s): Material type: TextTextDescription: 159 pages : color illustration ; 28 cmISBN:
  • 9783037642009
Subject(s): Genre/Form: LOC classification:
  • N 4995.E24 .2013 L38
Contents:
Foreword -- Introduction -- Remaining, seized, matter -- Soiling history -- Works
Summary: Latifa Echakhch was born in 1974 in El Khnansa, Morocco, arrived in France at the age of three, and now lives in Switzerland. In barely a decade she has managed to find a place in the international art scene as one of the most important artists of her generation. What makes her oeuvre so significant is above all the remarkable conceptual and formal coherence of her work, the sobriety of her vocabulary, the simplicity of her gestures, and, at the same time, the modesty of the materials and the universality of the elements that she uses. Her research, which explores both private and public spheres and encompasses different cultures, identities, and languages, also makes her an especially distinctive figure by virtue of its eminently contemporary nature. -- Foreword
List(s) this item appears in: Fine Arts, Bachelor of
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Books Books Foundation University Library DoArchitecture & Fine Arts Non-fiction (DAFA-FA) N 4995.E24 .2013 L38 (Browse shelf(Opens below)) Available 0192025003107
Browsing Foundation University Library shelves, Shelving location: DoArchitecture & Fine Arts, Collection: Non-fiction Close shelf browser (Hides shelf browser)

This exhibition was kindly supported by Institut francias Deautschland in collaboration with the French Ministry of Culture and Communication (DGCA)

Includes bibliographical references.

Foreword -- Introduction -- Remaining, seized, matter -- Soiling history -- Works

Latifa Echakhch was born in 1974 in El Khnansa, Morocco, arrived in France at the age of three, and now lives in Switzerland. In barely a decade she has managed to find a place in the international art scene as one of the most important artists of her generation.
What makes her oeuvre so significant is above all the remarkable conceptual and formal coherence of her work, the sobriety of her vocabulary, the simplicity of her gestures, and, at the same time, the modesty of the materials and the universality of the elements that she uses. Her research, which explores both private and public spheres and encompasses different cultures, identities, and languages, also makes her an especially distinctive figure by virtue of its eminently contemporary nature. -- Foreword

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