Dominique Gonzalez-Foerster : 1887-2058 / sous la direction d'Emma Lavigne.
Material type:
TextPublisher: Paris : Centre Pompidou, 2015 Description: 223 pages : illustrations (chiefly color) ; 34 cmContent type: - text
- still image
- unmediated
- volume
- 9782844267016
- 2844267017
- 1887-2058
- N 6853.G66 .2015 D66
| Cover image | Item type | Current library | Collection | Call number | Status | Barcode | |
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Foundation University Library DoArchitecture & Fine Arts | Non-fiction | (DAFA-Archi.) N 6853.G66 .2015 D66 (Browse shelf(Opens below)) | Available | 0192025003111 |
"Ouvrage publié à l'occasion de l'exposition présentée au Centre Pompidou, Galerie sud, du 23 septembre 2015 au 1er février 2016."
With contributions by Tristan Bera [and 6 others].
Includes bibliographical references (pages 216-220) and filmography (page 221).
Dominique Gonzalez-Foerster, 1887-2058 displays an 'open' timeline from 1887 to 2058, and extends the idea of the retrospective by combining different centuries and climates. The exhibition begins in the late 19th century; journeys through the experiments of the 20th century, and projects viewers into landscapes and interiors in turn desert - like or tropical, biographical or dystopian. This combination of parallel realities and stage sets - where the genres of landscape, portrait and period rooms co-exist - becomes a fictional house with numerous entrances, constructed so that viewers experience the sensations of outdoor and indoor, ideas of identity and fiction, the present moment and a journey through time. Sometimes stage, sometimes playground and sometimes introspective narratives, the rooms, films and appearances of Dominique Gonzalez-Foerster are anchored in living memories of cinema, literature and the open structures of architecture and music: all ways of exploring the limits of the possible in art. Like an opera or a musical, the exhibition brings to life all kinds of cinematographic, literary and scientific presences, to create a world inhabited by sensations, stories and quotations. The exhibition is an identification of the artist, the work and the viewer all at once. Press release text.
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