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Modern art / with essays by Dietmar Elger, Anne Ganteführer-Trier, Karin H. Grimme, Barbara Hess, Hans Werner Holzwarth, Klaus Honnef, Cathrin Klingsöhr-Leroy, Sylvia Martin, Daniel Marzona, Kerstin Stremmel, Norbert Wolf.

Contributor(s): Material type: TextLanguage: English Original language: German Publisher: Köln : Taschen, [2011]Copyright date: ©2011 Description: 2 volumes (673 pages) : illustrations (some color) ; 32 cm booksContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9783836527309
  • 3836527308
Uniform titles:
  • Moderne Kunst. English.
Subject(s): Genre/Form: LOC classification:
  • N 6490 .2011 M63 v.1
Contents:
volume 1. 1870-1944 -- volume 2. 1945-2000.
Summary: This title focuses on game changers. This is the blow-by-blow account of the works that matter most in Modern art. The story of modern art begins roughly 150 years ago, when painters left their studios to try and catch nature and the quickly changing light out in plain air, only to find that they did not paint more realistically, instead they were pushed toward the fractured colors and fleeting compositions we've come to associate with the term impressionism. Once standard academy practice had been overcome, there was no holding back, and in a constant desire to pursue new roads, one style supplanted the next, always bringing different innovations: after impressionism, there followed symbolism, expressionism, futurism, surrealism, dada, abstract art, minimal, and pop. Even in post-modernism and the contemporary works of Koons, Kelley, or Wool, this modernist urge to make something new is still very much alive. This publication concentrates on individual works, each piece breaking some amount of new ground, and with 300 featured pieces by as many artists, this means an average of two game changers for every year. Each work is accompanied by a text that places it within the larger narrative, introducing the artist and outlining the agenda. Introductions to all the important art movements give the reader a more thorough grounding in the historical developments, but most of all, it is the year-by-year succession of groundbreaking works, both classics and surprising rediscoveries, that tells the story of an art that always thrived on innovation-- Source other than Library of Congress.
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Holdings
Item type Current library Collection Call number Status Barcode
Books Foundation University Library DoArchitecture & Fine Arts Non-fiction (DAFA-FA) N 6490 .2011 M63 v.1 (Browse shelf(Opens below)) Available 0192026003350
Books Foundation University Library DoArchitecture & Fine Arts Non-fiction (DAFA-FA) N 6490 .2011 M63 v.2 (Browse shelf(Opens below)) Available 0192026003351
Browsing Foundation University Library shelves, Shelving location: DoArchitecture & Fine Arts, Collection: Non-fiction Close shelf browser (Hides shelf browser)

Edited by Laszlo Taschen"--Spine of box.

"Impressionism to surrealism"--Jacket, volume 1.

"Abstract expressionism to today"--Jacket, volume 2.

Includes bibliographical references and index.

volume 1. 1870-1944 -- volume 2. 1945-2000.

This title focuses on game changers. This is the blow-by-blow account of the works that matter most in Modern art. The story of modern art begins roughly 150 years ago, when painters left their studios to try and catch nature and the quickly changing light out in plain air, only to find that they did not paint more realistically, instead they were pushed toward the fractured colors and fleeting compositions we've come to associate with the term impressionism. Once standard academy practice had been overcome, there was no holding back, and in a constant desire to pursue new roads, one style supplanted the next, always bringing different innovations: after impressionism, there followed symbolism, expressionism, futurism, surrealism, dada, abstract art, minimal, and pop. Even in post-modernism and the contemporary works of Koons, Kelley, or Wool, this modernist urge to make something new is still very much alive. This publication concentrates on individual works, each piece breaking some amount of new ground, and with 300 featured pieces by as many artists, this means an average of two game changers for every year. Each work is accompanied by a text that places it within the larger narrative, introducing the artist and outlining the agenda. Introductions to all the important art movements give the reader a more thorough grounding in the historical developments, but most of all, it is the year-by-year succession of groundbreaking works, both classics and surprising rediscoveries, that tells the story of an art that always thrived on innovation-- Source other than Library of Congress.

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